How
quickly all things disappear, in the Universe the bodies themselves, but in time the remembrance of them. What the nature is of all
sensible things, and particularly those that attract with the
bait of pleasure or terrify by pain, or are noised abroad by
vapory fame. How worthless, and contemptible, and sordid, and
perishable, and dead they are—all of this it is the part of the
intellectual faculty to observe.
To
observe too, who these are whose opinions and voices give
reputation. What death is, and the fact that, if a man looks at
it in itself, and by the abstractive power of reflection
resolves into their parts all the things which present themselves to
the imagination in it, he will then consider it to be nothing else than an operation of Nature; and if any one is afraid of an operation
of Nature, he is a child. This, however, is not only an
operation of Nature, but it is also a thing that conduces to
the purposes of Nature.
To
observe too, how man comes near to the Deity, and by what part
of him, and when this part of man is so disposed.
—Marcus
Aurelius, Meditations, Book 2 (tr
Long)
Marcus
Aurelius has a powerful, and somewhat disconcerting way, of indicating how weak
and fragile so many of the things we care about really are. I hardly think he
does so to shock or disturb, but rather hopes that we can move beyond a shallow
life of impressions to the deeper insights of the mind. Discern everything that
is beastly about you, and you will also come to reveal what is divine about
you.
Material
things, and all the elaborate ways we have of acquiring and keeping hold of
them, will fail and decay, and our efforts will have been in vain. There was
nothing lasting and noble in grasping for disposable playthings.
We cling
to memory, but it is flighty and elusive. We almost immediately recall things
not as they were, but as we wished them to be, and then even the illusion fades.
Think of how often we say we will never forget, and then absolutely no one
remembers.
Pleasure
and pain are hardly things that decide how well we live, but we allow their
coming and going to rule and determine us. We are frantic to embrace one and flee
from the other, forgetting that they are in and of themselves empty.
Fame is
even more fickle, because it doesn’t even take much time for favors and
preferences to vanish. Yet many of us dedicate complete plans of life to the
vanity of being admired and praised.
We are
so terrified by death that we will go to any lengths to avoid it, or we will ignore
its reality completely and hope it will simply go away. We are only acting on
the force of impressions, and not reflecting on its meaning.
Birth
and death, beginnings and endings, are a necessary part of the order of Nature,
because it is through the joining and dividing of all the parts that the whole
is made complete. If I have a part in the production of great play, why should
I feel fear or resentment when all my lines have been delivered?
Now such
thoughts about what is passing in life will only seem depressing if we stubbornly
cling to the transient, and can find nothing else to take its place. I can
choose to look beyond the immediate appearance of how something feels, to the lasting
purpose of what it means. It is the right exercise of the mind that can make
this possible. Because the mind rises above the limits of the body, it is also
what is most godlike within us.
Written in 8/2004
Image: Philippe de Champaigne, Vanitas (c. 1671)
Three unavoidable things: life, death, and time.
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