A prevention against public evils: but first of all, three affections are restrained. And of those three, particularly in this chapter is repressed a kind of vainglorious dissimulation, whereby men that lament their own private misfortunes would seem that they bewail the common calamities.
"What think you, Lipsius, have I not betrayed constancy into your hands in pleading the cause of your sorrow? Not so. But herein I have played the part of a good captain, in drawing out all your troops into the field, to the end that I might fight it out manfully with them.
"But first I will begin with light skirmishes and afterward join with you in plain battle. In skirmishing I am to assault foot by foot, as the ancients speak, three affections utter enemies to this our constancy. Dissimulation, piety, commiseration or pity.
"I will begin with the first of them. You say you cannot endure to see these public miseries, that it is a grief, yea even a death unto you. Do you speak that from your heart, or only from the teeth outward?"
Herewithal I being somewhat angry, asked whether he jested or gibed with me.
"Nay," said Langius. "I speak in good earnest for that many of your crew do beguile the physicians, making them believe that the public evils do grieve them when their private losses are the true cause. I demand therefore again, whether the care which now does boil and bubble in your breast, is for your country's sake or for your own?"
"What," said I, "do you make question of that? Surely, Langius, for my country's sake alone am I thus disquieted."
"See it be so," said he, "for I marvel that there should be in you such an excellent sincere duty which few attain unto. I deny not but that most men do complain of common calamities, neither is there any kind of sorrow so usual as this in the tongues of people. But examine the matter to the quick, and you shall find many times great difference between the tongue and the heart.
"These words, 'my country's calamity afflicts me,' carry with them more vainglory than verity. And as it is recorded in histories of Polus, a notable stage-player, that playing his part on the stage wherein it behooved him to express some great sorrow, he brought with him privily the bones of his dead son, and so the remembrance thereof caused him to fill the theater with true tears indeed. Even so may I say by the most part of you. You play a comedy, and under the person your country, you bewail with tears your private miseries.
"One says 'The whole world is a stage play.' Truly in this case it is so. Some cry out, 'These civil wars torment us, the blood of innocents spilt, the loss of laws and liberty.' Is it so? I see your sorrow indeed, but the cause I must search out more narrowly. Is it for the commonwealth's sake? O player, put off your mask: you yourself self are the cause thereof.
"We see oftentimes the country boors trembling and running together with earnest prayers when any sudden misfortune or insurrection approaches, but as soon as the danger is past, examine them well and you shall perceive that every one was afraid of his own field and corn.
"If fire should happen to be kindled in this city, we should have a general outcry: the lame and almost the blind would hasten to help quench it. What think you? For their country's sake? Ask them and you shall see, it was, because the loss would have redounded to all, or at the least, the fear thereof.
"So falls it out in this case. Public evils do move and disquiet many men, not because the harm touches a great number, but because they themselves are of that number."
IMAGE: Honoré Daumier, The Melodrama (c. 1860)